A face with no nose, and hands that can not lift.

Upon entering Catriona Jeffries Gallery recently I could not decide whether I was being greeted, accosted, or simply ignored by what one might describe as “a colourful cast of characters,” created by Geoffrey Farmer for a solo exhibition entitled “The surgeon and the photographer.”

Almost the entire warehouse space is given over to the display of 365 cloth and paper figurines, clumped together on seamlessly white plinths. Their paper features are collaged images pulled from magazines, and are occasionally extended and distorted by additions to their wire frames. The expressions on this multitude of faces are confused by uncanny juxtapositions of eyes-mouths-noses-hands, not all of them human, or even animate. Here and there above the crowd float birds, protest signs, and even a celery-garnished Caesar, all glue-gunned to precariously balanced heights of wire.

In place of any didactic panels (the likes of which are normally eschewed at Catriona anyways) there are two sheets of plain white paper hinged invisibly to the walls; the first at the entrance, and the other at the far end of the room. Each proffers an enigma set in clear 12 point Times New Roman: poetic presentations of Zeno’s Paradox and the problem of time.

And time ticks away, audibly, as the soundtrack to a slide show presented in the smaller room, but also without notice. Foolishly I only gave myself an hour, and I never really managed to cross the room.

Geoffrey Farmer is, obviously, represented by Catriona Jeffries Gallery. Enter on the back lane at 274 East 1 Avenue between 11 and 5, Tuesday to Saturday. If you’re late, or early, just look up: a piece by Ron Terada is permanently installed on the outside of the gallery. The surgeon and the photographer closes on March 6, so make time.
Geoffrey Farmer has another ambitious project open this year, called Every Letter in the Alphabet. Something of a studio/event/theatre/hairdressing place at 1875 Powell Street, just down the block from the LES Gallery. Kill two birds with one stone on the weekends, or just visit Every Letter between 11 and 5, Tuesday to Sunday.

Posted by bernstein at 6:31pm on Monday, February 22, 2010

It’s funny because field sounds like a wrong past tense of feeling.

The current exhibition at Lucky’s Comics brings together four Vancouver-based artists working through expanded practices of sculpture and photography within a shared practice of documentation, exploring urban landscapes and architectures and creating narrative structures through static representations.

Lucky's Comics front of shop has enough art on the walls to be mistaken for the gallery.

Lucky's Comics front of shop has enough art on the walls to be mistaken for the gallery.

Hartbraker came out to the opening on Friday, January 15, and was kind enough to document the event.

(more…)

Posted by bernstein at 3:37am on Thursday, January 21, 2010

Some buzz.

Swarm, tonight.

Posted by bernstein at 4:54pm on Thursday, September 10, 2009

End of summer bummer.

Remember this nonchalant little comment: “Maybe the art leaves the city for a reason in August, but if it makes more space for music I won’t complain.”

No more art.

Apparently someone in the BC government took it a little too seriously, and decided that art could leave the city year-round.
The cuts were reversed yesterday for some of the groups with multi-year funding commitments, but the Helen Pitt gallery has had their budget cut in half, forcing them to move or possibly dissolve, and the Or gallery has already canceled their November/December exhibition.

And with Richard’s demolished, and the Cobalt next, it doesn’t look like the void will be filled by music.

Bring your opinion out to the Or tonight for the aptly named Ruins in process: Art in the sixties party and participate in an insurrection by fax. Next week, come out to SWARM for what is hopefully only a hurrah, and not the last one.

Posted by bernstein at 11:11am on Thursday, September 3, 2009

Awed by a saw, but wooed by an oud.

4 Nights of Improvised Music: Jeffrey Allport and Tim Olive

Last night was the second of 4 Nights of Improvised Music at the Helen Pitt gallery, and I was on time. Not including the sounds made with tin foil, springs, tuning pegs, bows, sticks wrapped together in tape, old tapes, bells, magnets, a french horn, guitars, drums, and other somehow musical instruments, I got to listen to someone playing an oud.

Seriously. I had to ask.

The Helen Pitt gallery artist run centre is still in the same place since yesterday, 102-148 Alexander Street. Admission to this event is still by donation, and the doors are open at 7:30 PM tonight and tomorrow night only.

Posted by bernstein at 5:36pm on Monday, August 24, 2009

Not exactly the music you hear on hold, but something to do while you wait.

No matter what city you’re in in August, it feels like the art is in any other city, just not your own. I’ve been visiting galleries out of town, and waiting for September, when SWARM makes Vancouver feel busy again.

Last night however, I visited Goonies, gallery, a relative newcomer on the art scene, for a music show featuring locals Make Love and Sounds Fun Club, and Montreal-based Elfin Saddle. Sitting under the giant woven tapestry pictured below, and lit with a single light evoking a campfire, attendees were treated to music played on xylophones, drums, guitars, guitars used as percussion, synthesizers, cymbals played with bows, mallets and hands, and, most incredibly, a saw, all accompanied by some of the sweetest voices Vancouver has to offer, all in the space of a few hours.

The Room-a-Loom at Goonies

I missed the last hour, trying to catch another night of music around the corner at the Helen Pitt Gallery. I was too late, but as the title 4 Nights of Improvised Music suggests, there are three more chances to hear talented people playing with unconventional instruments. The whole thing is organized by Robert Pedersen, whom I know from Glaciers but who does plenty of other things, joining in on Monday with Burrow Owl. Tonight, the second installment of experimental music features Sam Shalabi and Josh Stevenson, Delicate Sen from New York city, and Tim Olive and Jeffrey Allport.

Last night ended after a party at soon-to-be demolished (?) art house 536, and walking back up Main street, I noticed this:

Instant Coffee: black is the new blank?

Maybe the art leaves the city for a reason in August, but if it makes more space for music I won’t complain.

Goonies is a multi-purpose studio and exhibition space. Located at 108 east Hastings, it was opened by artist and designer Merida Anderson in April, 2009. It is currently hosting the Vancouver installment of Room-a-Loom. Originated by LA-based artist Julia Sherman, the Room-a-Loom is a collaborative woven tapestry occupying, you guessed it, the entire front room of Goonies, and other participating galleries. The last few open weaving days are Monday, August 23rd, Wednesday the 26th, and Sunday the 30th, from 6-9 pm. Admission is free, and you can bring your own weaving materials or pick and choose from the many boxes of stuff at the gallery.

The Helen Pitt Gallery is a non profit artist run centre just a few blocks away from Goonies, at 102-148 Alexander. The front room is dedicated to experimental contemporary art from both local and international contexts, and the back room is curated separately from September to April, by Emily Carr student interns. Until Tuesday, August 25, 4 Nights of Improvised Music opens the doors from 7:30 pm until finished, and your admission is donation.

We’ve already discussed Instant Coffee.

Posted by bernstein at 6:44pm on Sunday, August 23, 2009

Instant Coffee: you asked for it?

After a weekend of being away and thinking about the vandalism of Instant Coffee’s public art project on Main street, I came home to find that the piece at the intersection of Kingsway and Main has been completely painted over in white, with black painted cartoon characters on either side. Before this drastic alteration, it already looked like this:

Oh no, pardon me.

A quick walk over to some other sites of public art assured me that the very physical engagement with Instant Coffee’s sandwich boards is disproportionate to the general reception of public art works in Vancouver. Is it instead proportionate to their “asking for it?” (more…)

Posted by bernstein at 9:23pm on Wednesday, July 29, 2009

“It would be great to see you there.”

pyramid power 6 launch party invite

Messrs. Jonah Gray, Matt Booth and Sacha Hurley are throwing a party to celebrate the release of the sixth issue of  Pyramid Power, the international arts magazine you should care about.

Come by Monte Clark early if you can’t wait to look at the new issue, or go later to the Secret Loft and save yourself a satisfying read for Sunday’s hangover breakfast.

Posted by bernstein at 8:00am on Saturday, July 4, 2009

A and B and RGB.

It’s summertime, which means that there is a whole alliteration of excuses to leave the house: beaches, beers, bikes, babes. But there’s another good reason to leave the house this summer (in fact, I once read that it is the best reason to leave your house in any season) and that is to see some art.

If you decide to use this excuse only once this season then do yourself a favour and make sure to go see Variables, a selection of recent photographic works by Jessica Eaton (a Toronto-based former Vancouverite), up at the LES Gallery on Powell Street until July 12th.

108_6 isn't exactly a white wall.
108_6 isn’t exactly a white wall.

Eaton is a photographer who has not forgotten that photography is the representation of light, and that it is through interpretation that images receive their conceptual consideration. An image like 108_6 is quite simply a photograph of a white wall. Re-visioned through a complex photographic process of multiple exposures on differently sensitive films and through custom-made laser-cut dark slides, the white wall is interrupted by a seeming intrusion of colour blocks of cyan, magenta, and yellow, and red, green and blue. This interruption is in fact only a transformation arrested at different stages of exposure: white light is in fact made of all the colours. Each of the twenty-three deceptively simple images on display are reminders of the construction of photography, from physical process to conceptual conclusion, but while they can be explained by science, they’re much closer to magic.

The LES Gallery is at 1879 Powell Street. Open hours are on Fridays from 1 to 6 and Saturdays from 12 to 5. If you can’t make it call (778-370-1999) or e-mail (lisa@lesgallery.ca) to make an appointment.

For the next best thing, and more information, Jessica Eaton can be found here, here, and here.

Posted by bernstein at 11:53am on Wednesday, July 1, 2009